It’s been almost eight months since we started on this bogus journey, and we might be slowly losing it, but at least we’re taking some of you down with us! In this extra-minisode, we share some stories about the friends online and IRL who we’ve started to slowly Weasel-pill. And there’s still at least four months of this shitshow left for you to be next! Jump on board just for Bio-Dome in two weeks!
If you couldn’t already tell we’d passed the glory days of Pauly Shore‘s career, well, here’s your wakeup call: Not one, but two glorified cameos in movie tie-ins to a cartoon, one of them direct to video. Luckily for our hero, A Goofy Movie (1995) happens to be a generational touchstone, and An Extremely Goofy Movie (2000) is… surprisingly watchable? Anyway, we go to some dark places in this episode, so to avoid incongruity with the kid-friendly movies’ themes, we bleeped out all the cuss words with fun Goofy sounds in the tradition of our Cat in the Hat episode. Unless we accidentally left some in, in which case, sorry, kids!
Here’s the video version:
00:00:00 Trailer for A Goofy Movie (Kevin Lima, 1995)
00:03:22 Our first of four (!!) podcast episodes on the Shrek series (you’re on your own for the other three)
In a complete stroke of serendipity while editing our last episode, Zach discovered that Pauly appeared in an In the Army Now-branded music video for “World of Swirl” by none other than ZZ Top. So, we figured it’s as good a time as any to dedicate a minisode to the Weasel’s most memorable music video appearances, from his own “Lisa, Lisa (The One I Adore)” to Young Buck’s “Shorty Wanna Ride.” Also, a tight five on the PS1 classic (at least in our house) WWF Attitude! We’ll be back in two weeks to talk about two goddamn Goofy movies for some reason. See you then!
YouTube version below:
00:00:00 “Faith/Fame Remix” Official Music Video by Limp Bizkit (Upload by J.S LIVE on YouTube)
As we prepare for our grim tour of duty with In the Army Now, here’s a minisode where we dig a little more into Totally Pauly‘s chaotic live spring break incarnation, “Chillin’ with the Wiez.” We also catch up on some of the more recent happenings in the Paulyverse, leading to the introduction of a new segment where we ask the titular question (answer still inconclusive).
Our year-long deep dive into the filmography of Pauly Shore continues with 1993’s Son in Law: a heartwarming culture clash romantic comedy about how you shouldn’t call members of the white rural working class inbreeders, even after they roofie you and leave you in a compromising position to destroy your sham engagement. Whoops, spoilers!
Video version is below:
00:00:00 Trailer for Son in Law (Steve Rash, 1993)
We’re now a month into our year-long immersion into the filmography of Pauly Shore, and we’re finally watching a Pauly Shore film! Actually, make that one and a half Pauly Shore films, because we’re pairing his motion picture debut, 1992’s Encino Man, with his (rightfully) lesser-known role in the same year’s Kid n Play vehicle, Class Act. If you’re worried about keeping the movies straight, though, don’t be: he’s pretty much the same character in both. We’ll pick up again in two weeks with Son in Law–see you then, buuu-ddies!
Here’s the video version (unfortunately you’ll have to look at our mugs more than in past episodes, since Encino Man is a Disney I.P. and they don’t play around with copyright):
00:00:00 Trailer for Encino Man (Les Mayfield, 1992)
The podcast event literally no one asked for has finally arrived! From February 2024 until whenever we’ve had enough, we’re taking you on a journey through what we genuinely believe is the underrated filmography of the Weasel himself, Pauly Shore. Join us in this introductory episode as we explain why we’re doing this to ourselves (and to you) and take a quick jog through the random roles that resulted in one of the greatest characters in 20th century American literature.
But first, you’ll notice there’s something a little different this time: Given the importance of the visual medium to our current topic of discussion, we’re experimenting with video! As you can see from the first episode, the experiment hasn’t been an unqualified success; there was some pretty terrible lag on Zach’s end that has been preserved at the beginning for explanatory/comedic effect. We will troubleshoot this moving forward, but in the meantime, enjoy watching our audio swim in and out of sync while the video footage struggles to catch up with our lips! Welcome to the future!
00:01:23 Our infamous episodes on the KISS memoirs (Gene, Ace, Peter, Paul)
Well, folks, it took us nine months, but our year-long immersion into the filmography of Mike Myers has finally broken us, as evidenced by the uncontrollable fit of laughter Callie breaks into over the thought of Shrek and Fiona driving around in a giant onion. Listen as the last vestiges of our sanity finally slip away–and then come back in the first week of July when we do it all over again with Shrek the Third!
The wait is ogre! We’ve reached the halfway point of our 12-month series on the films of Mike Myers, and (sigh) the quarter-way point of the four goddamn Shrek movies we decided to include for some reason. Still, we had fun discussing what makes Shrek a Mike Myers character (spoiler alert: it’s mostly the Scottish accent) and the slow transformation of Shrek from lauded Palme d’Or competitor to Gen Z meme fodder. Remember to tell us which Mike movie represents your birth month, and we’ll see you again next for (deeper sigh) Austin Powers in Goldmember.
