Tag: pointer sisters

  • Jheri Curl June: Carl Carlton’s “Private Property”

    Jheri Curl June: Carl Carlton’s “Private Property”

    Over the weekend, I attended a Record Riot in nearby Frederick, Maryland; and, this being the midpoint of June, you could say I had Jheri Curl Music on the mind. I ended up walking out with a solid armful of vintage Jheri Curl on vinyl, including Break Out by the Pointer Sisters, Word Up! and Alligator Woman by Cameo, and today’s pick, the 1985 album Private Property by Carl Carlton.

    Long-time Jheri Curl Juners will recognize Carlton’s 1981 hit “She’s a Bad Mama Jama (She’s Built, She’s Stacked)” as the subject of our first-ever J.C.J. post way back in 2014. That song, written and produced by the ever-freaky Leon Haywood, was Carlton’s second-biggest hit after 1974’s “Everlasting Love.” The title track of Private Property, on the other hand, was not written by Haywood (it’s credited to Bar-Kays and Ebonee Webb manager/producer Allen A. Jones), but you’d be forgiven for thinking otherwise because it’s basically the same damn song; if you told me Carlton created the track by singing new lyrics over a slight rearrangement of his earlier hit, I’d honestly believe you. The only real difference is that now he’s landed the bad mama jama of his dreams, and is warning everyone within earshot to keep their distance: “Can you read the sign that says / ‘No trespassing’ from her feet to her head / ‘Cause all her body parts are P.V.T. / ‘Cause everything she has belongs to C.C.” It’s a musical sequel equal parts heartwarming (Carl’s found love!) and offputting; one hopes there’s a third song in the trilogy where he finally realizes that bad mama jamas’ bodies belong to themselves.

    Look, I’m not gonna lie, “Private Property” is a pale retread of “Mama Jama,” and the American record-buying public broadly agreed: the track only reached Number 28 on the R&B charts, while its predecessor went as high as Number 2. But I’ve long maintained that the key to the magic of Jheri Curl Music lies less in its milestones than its mediocrities, and this is exactly the kind of record I will always love to buy for five dollars sight unseen. Plus, of the tracks on the album, only “Private Property” and the even more minor hit “Slipped, Tripped (Fooled Around and Fell in Love)” (which also kinda sounds like “Bad Mama Jama,” if I’m being honest) are currently available on streaming services; I don’t know if the rest of it is worth listening to, but I’m excited to find out.

    In the meantime, you can stream “Private Property”–and our other picks from Jheri Curl June 2023 to date–below:

  • Jheri Curl June: Bonnie Pointer’s “If the Price Is Right”

    Earlier this week, we mentioned that Bonnie Pointer had departed the Pointer Sisters for a solo career in the late ’70s. Her third album, 1984’s If the Price Is Right, still has remnants of the disco sound of her former musical output, but soaked with Jheri Curl juice. Even the album cover features a glossy image of Bonnie in a Vanity 6-esque teddy.

    Sadly, Bonnie Pointer passed away last year, on June 8, 2020; but because we postponed Jheri Curl June that year, we are honoring her with a posthumous induction into a year late. Rest in peace, Bonnie Pointer!

    Remember to check out the Spotify and YouTube playlists below. We’ll be back tomorrow with another day of Jheri Curl June Ladies’ Week!

    https://open.spotify.com/playlist/4DHwfbLgF2W2Xp2ZpqcDdg?si=f829cd851df945f8
  • Jheri Curl June: The Pointer Sisters’ “Automatic”

    If there’s one thing to be said about Jheri Curl Music, it’s that–much like its namesake hairstyle–it’s remarkably gender-neutral: Many of the genre’s greatest tracks were sung by women. That’s why every Jheri Curl June, we designate one week as “Ladies’ Week” to celebrate the contributions of woman artists to our most beloved style. And boy, oh boy, are we kicking off the latest installment right with this 1983 number by the Pointer Sisters.

    Formed as a duo by June and Bonnie Pointer in 1969, the Pointer Sisters eventually grew to a quartet and scored a number of hits in the 1970s–including their 1974 country crossover “Fairytale,” which earned them the distinction of becoming the first Black musical group to perform at the Grand Ole Opry. By the end of the decade, the group was on the brink of dissolution, with Bonnie departing for a solo career while June opted to take a break from music. Ultimately, however, the other two sisters (Ruth and Anita) coaxed June back to continue as a trio with producer Richard Perry, and they began releasing more pop- and rock-oriented material, beginning with 1978’s Energy.

    Today’s track, “Automatic,” comes from 1983’s aptly-named Break Out: the Pointer Sister’s sixth album with Perry, by which time they had shifted from rock to straight-up electro-funk–or, as we know it in these parts, JCM. And let me tell you, it goes–especially in the extended 12″ remix, which gives plenty of room for session musicians John Van Tongeren, Mark Goldenberg, and Dennis Herring to weave their surprisingly funky spell. If this isn’t an all-time Jheri Curl slapper, I don’t know what is–plus, check the video below for some bonus, easy-to-follow choreography!

    https://youtu.be/HCWPodbRqHE

    We’ll be back tomorrow with more of the finest female-fronted Jheri Curl Music. Meanwhile, Spotify and YouTube playlists are below:

    https://open.spotify.com/playlist/4DHwfbLgF2W2Xp2ZpqcDdg?si=7956e9e65e094632