Tag: allen a jones

  • Jheri Curl June: Carl Carlton’s “Private Property”

    Jheri Curl June: Carl Carlton’s “Private Property”

    Over the weekend, I attended a Record Riot in nearby Frederick, Maryland; and, this being the midpoint of June, you could say I had Jheri Curl Music on the mind. I ended up walking out with a solid armful of vintage Jheri Curl on vinyl, including Break Out by the Pointer Sisters, Word Up! and Alligator Woman by Cameo, and today’s pick, the 1985 album Private Property by Carl Carlton.

    Long-time Jheri Curl Juners will recognize Carlton’s 1981 hit “She’s a Bad Mama Jama (She’s Built, She’s Stacked)” as the subject of our first-ever J.C.J. post way back in 2014. That song, written and produced by the ever-freaky Leon Haywood, was Carlton’s second-biggest hit after 1974’s “Everlasting Love.” The title track of Private Property, on the other hand, was not written by Haywood (it’s credited to Bar-Kays and Ebonee Webb manager/producer Allen A. Jones), but you’d be forgiven for thinking otherwise because it’s basically the same damn song; if you told me Carlton created the track by singing new lyrics over a slight rearrangement of his earlier hit, I’d honestly believe you. The only real difference is that now he’s landed the bad mama jama of his dreams, and is warning everyone within earshot to keep their distance: “Can you read the sign that says / ‘No trespassing’ from her feet to her head / ‘Cause all her body parts are P.V.T. / ‘Cause everything she has belongs to C.C.” It’s a musical sequel equal parts heartwarming (Carl’s found love!) and offputting; one hopes there’s a third song in the trilogy where he finally realizes that bad mama jamas’ bodies belong to themselves.

    Look, I’m not gonna lie, “Private Property” is a pale retread of “Mama Jama,” and the American record-buying public broadly agreed: the track only reached Number 28 on the R&B charts, while its predecessor went as high as Number 2. But I’ve long maintained that the key to the magic of Jheri Curl Music lies less in its milestones than its mediocrities, and this is exactly the kind of record I will always love to buy for five dollars sight unseen. Plus, of the tracks on the album, only “Private Property” and the even more minor hit “Slipped, Tripped (Fooled Around and Fell in Love)” (which also kinda sounds like “Bad Mama Jama,” if I’m being honest) are currently available on streaming services; I don’t know if the rest of it is worth listening to, but I’m excited to find out.

    In the meantime, you can stream “Private Property”–and our other picks from Jheri Curl June 2023 to date–below:

  • Jheri Curl June: The Bar-Kays’ “She Talks to Me with Her Body”

    Few groups in the history of R&B have been as long-lived, or as chameleonic, as the Bar-Kays. The Memphis group got their start in the mid-’60s as a session band for Stax Records, with songs like 1967’s “Soul Finger” fitting squarely into the label’s signature sound. At the turn of the decade, like many other soul groups, they went psychedelic, backing Isaac Hayes on his epochal 1969 album Hot Buttered Soul, then recording their own Black Rock. In the ’70s, they were pure funk. So it should come as no surprise that the Bar-Kays were among the first groups of their vintage to recognize the wind change in the early ’80s and embrace the style we call Jheri Curl Music.

    https://youtu.be/3C8Wim_fJMg

    Like last year’s Jheri Curl June alums Ebonee Webb–who shared with the Bar-Kays a manager and producer, Allen A. Jones–the main frame of reference was Prince, with whining Minneapolis-style keyboards taking the place of traditional Memphis-soul horns (and no, that horn section miming in the Soul Train video above isn’t fooling anyone). But there’s also more than a touch of Zapp in the band’s 1982 single “She Talks to Me with Her Body,” from the short snatches of talkbox to that “More Bounce to the Ounce” bass. In fact–and ironically–the only thing that wasn’t Jheri Curl about the Bar-Kays in 1982 was lead singer Larry Dodson’s hair, which appears to be the same heavily-processed dome he wore to Wattstax in 1973, looking a little worse for wear. C’mon man, get some activator at least!

    We’ll be back tomorrow with more Jheri Curl June–Spotify and YouTube playlists are below!

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