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  • Jheri Curl June: Stevie Wonder’s “Love Light in Flight”

    It’s a well-known fact that most white music critics don’t “get” ’80s Stevie Wonder. And for a long time, I was no exception: I took as gospel the truism that it was all downhill for Stevie after Hotter Than July, and I levied what I considered to be the appropriate amount of scorn on his material from the era. You know that scene in High Fidelity where Barry throws the guy out of the store because he wants to buy “I Just Called to Say I Love You?” That was basically me.

    But with age comes wisdom, and with wisdom comes a less snobby attitude toward popular culture. Oh, don’t get me wrong, I still don’t like “I Just Called to Say I Love You.” But I’m not too proud to say that I love another song from Wonder’s much-reviled 1984 soundtrack to The Woman in Red, “Love Light in Flight”–how could any self-respecting Jheri Curl fan not? Like last week’s song by Kashif, it’s a stellar example of the new subgenre I pulled out of my ass called “sophisticurl”: you can picture it being played at a yacht party, with discreetly jheri-curled attendees wearing Coogi sweaters and clinking their champagne glasses. It’s genteel, but indelibly funky: a vibe that Stevie Wonder nailed effortlessly in his middle years. And it doesn’t even require an appreciation of poorly-aged Gene Wilder comedies to enjoy!

    See you tomorrow for more Jheri Curl June. Spotify and YouTube playlists below.

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  • Jheri Curl June: Kashif’s “Ooh Love”

    Last month, we recorded our annual Memorial Day podcast, a budding tradition in which we commemorate (and lightly mock) many of the important musical artists we’ve lost since the previous May. And this time, one of those artists was especially bittersweet: former B.T. Express keyboardist, producer, singer, songwriter, multi-instrumentalist, and dope-moustache-haver Kashif. As I said on the podcast, he’s someone we’d wanted to spotlight for a long time–and we did, sort of, with our 2014 post on one of his finest productions, Evelyn “Champagne” King’s effervescent “Love Come Down.” But now that we’ve finally got around to covering his solo work, he’s no longer here to appreciate and/or be mildly offended by it.

    Kashif’s music tends to lie on the smoother, more refined end of the JCM spectrum–call it sophisticurl. His 1984 album Send Me Your Love, from which today’s selection is taken, features contributions by Whitney Houston and Kenny G (and Al Jarreau, another recent passing we commemorated in last month’s podcast). For our purposes, though, we’ll go with one of the more club-friendly tracks: “Ooh Love,” which combines everything we love about vintage Jheri Curl–programmed drums, ultra-wet guitar, bubbling synth-bass–with one of Kashif’s most passionate vocal performances. Granted, it still pairs better with a fine wine than, say, cognac, but that just makes it respectable. This is Jheri Curl Music for the grown and sexy set. As-salāmu ʿalaykum, Kashif.

    We’ll be back next week with more Jheri Curl June–playlists below!

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  • Jheri Curl June: Kleeer’s “Tonight”

    Kleeer had a rocky road to Jheri Curldom. Originally conceived in  1972 as the Jam Band, the backing band for the Choice Four, they later became their own entity, changed their name to Pipeline, and recorded the hard rock infused “Gypsy Rider.” After the single tanked, Pipeline transformed into the Universal Robot Group, under which they recorded and toured for two years. Finally, in 1978, they became a new entity yet again, Kleeer.

    Kleeer’s 6th studio album, Intimate Connection; © Atlantic Records.

    Similar to One Way, Kleeer released a consistent output of minor hits in the late ’70s and ’80s, but they were immortalized by being extensively sampled by G-Funk artists, like DJ Quik. “Tonight,” from their 1984 album Intimate Connection, was practically made to be sampled: it’s essentially just five minutes of a funky groove with Roger Troutman-esque horny robot talkbox vocals.

    We have one more day to go for Jheri Curl June this week–see you then! In the meantime, Spotify and YouTube playlists are below.

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  • Jheri Curl June: O’Bryan’s “Lovelite”

    I stumbled upon O’Bryan sometime last year, in one of my annual trawls through the underbelly of the Internet looking for fresh Jheri Curl Music. Born O’Bryan McCoy Burnette II, he cut his teeth in the 1970s Philadelphia soul and disco scene, before a fortuitous meeting with Soul Train creator Don Cornelius resulted in his being signed to Capitol Records. A singer, producer, and multi-instrumentalist with an exotic, ethnically ambiguous look, O’Bryan was a shoo-in to be Capitol’s answer to the rising star Prince.

    The problem was that O’Bryan took things a little too far. While Prince was blowing up MTV with the low-key erotica of his videos for Purple Rain, O’Bryan was getting banned from MTV for actually showing titties in the video for “Lovelite.” Turns out that embracing a soft-porn aesthetic can make you a star, while literally putting soft porn in your videos will just make you a historical footnote. Still, there are definitely boobs in the video above, so enjoy!

    We’ll see you again tomorrow–Spotify and YouTube playlists, as always, are below.

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  • Jheri Curl June: Slave’s “Turn You Out (In & Out)”

    We’ve featured Slave before for Jheri Curl June, but their 1983 album Bad Enuff is the group at their most activated. By 1983, the sound of ’80s R&B had fully transitioned from leftover disco to what we all know and love as Jheri Curl Music, thanks to Prince’s Minneapolis sound taking off. Slave followed suit, though their sound had already changed slightly due to drummer and singer Steve Arrington leaving the group in 1982.

    Although post-Arrington Slave is not nearly as formidable as their earlier releases, Bad Enuff is a solid album, proving that Slave could adapt to changing times and a changing lineup. “Turn You Out (In & Out)” is arguably one of their sexiest songs, combining one of Mark Adams’ signature below-the-belt-hitting basslines with a prissy Prince-like synth riff and breathy vocals practically lifted from a Dirty Mind outtake.

    We’ll be back tomorrow with more Jheri Curl June. Spotify and YouTube playlists are below:

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  • Jheri Curl June: The Bar-Kays’ “She Talks to Me with Her Body”

    Few groups in the history of R&B have been as long-lived, or as chameleonic, as the Bar-Kays. The Memphis group got their start in the mid-’60s as a session band for Stax Records, with songs like 1967’s “Soul Finger” fitting squarely into the label’s signature sound. At the turn of the decade, like many other soul groups, they went psychedelic, backing Isaac Hayes on his epochal 1969 album Hot Buttered Soul, then recording their own Black Rock. In the ’70s, they were pure funk. So it should come as no surprise that the Bar-Kays were among the first groups of their vintage to recognize the wind change in the early ’80s and embrace the style we call Jheri Curl Music.

    https://youtu.be/3C8Wim_fJMg

    Like last year’s Jheri Curl June alums Ebonee Webb–who shared with the Bar-Kays a manager and producer, Allen A. Jones–the main frame of reference was Prince, with whining Minneapolis-style keyboards taking the place of traditional Memphis-soul horns (and no, that horn section miming in the Soul Train video above isn’t fooling anyone). But there’s also more than a touch of Zapp in the band’s 1982 single “She Talks to Me with Her Body,” from the short snatches of talkbox to that “More Bounce to the Ounce” bass. In fact–and ironically–the only thing that wasn’t Jheri Curl about the Bar-Kays in 1982 was lead singer Larry Dodson’s hair, which appears to be the same heavily-processed dome he wore to Wattstax in 1973, looking a little worse for wear. C’mon man, get some activator at least!

    We’ll be back tomorrow with more Jheri Curl June–Spotify and YouTube playlists are below!

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  • Jheri Curl June Special: Jesse Johnson

    For the past three years, we’ve commenced our Jheri Curl June festivities with profiles of major figures in the style we call Jheri Curl Music, timed to line up with their birthdays in the beginning of June. In 2014, it was Prince (born June 7); in 2015, it was Jimmy Jam and Terry Lewis (the former born June 6); last year, it was L.A. Reid (June 7 again). But until now, we’ve never managed to make time for another architect whose birthday falls as close to the beginning of June as possible: June 1, 1960. I’m talking, of course, about Jesse Johnson.

    Jesse, in our defense, hasn’t exactly been a stranger to Jheri Curl June. His “Be Your Man” was our second-ever JCJ post back in 2014, and we’ve also considered his work both as a member of the Time and as the producer of late-’80s Minneapolis funk-rockers dáKRASH. But we’ve never taken a deep dive into his music–and that’s a damn shame, because whatever Johnson might have lacked in the innovation of his former associates Prince, Jam, and Lewis, he more than made up for with some of the strongest pure Jheri Curl Music of the mid-to-late 1980s. In other words, there’s no better person with whom to launch our fourth annual celebration of all things wet and silky in ’80s R&B music. So let’s get to it!

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  • Jheri Curl June: One Way’s “Cutie Pie”

    This year, we’re kicking off Jheri Curl June with Detroit R&B group One Way, formerly known as the Soul Partners. Although not exactly a household name, One Way has made a significant impact on music. Between One Way and Zapp, you pretty much have the sound of West Coast G-funk down pat: Everyone from Too $hort and DJ Quik to the Game has sampled One Way’s heavy bass and whiny synthesizers.

    One Way’s Who’s Foolin’ Who album from 1982, which includes their biggest hit, “Cutie Pie”; © MCA Records.

    One Way had a consistent output of top-charting R&B singles throughout the late ’70s and early ’80s. “Cutie Pie,” their biggest hit, is the perfect music to listen to in your vintage Lincoln Continental while you cruise through the strip on Belle Isle.

    We’ll be back tomorrow with this year’s Jheri Curl June special, on the music of Jesse Johnson. In the meantime, check out our Spotify and YouTube playlists below!

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  • Introduction: The New Jheri Curl June IV U

    Ladies and gentlemen, it’s finally here: the holiest month on the Dystopian Dance Party calendar, Jheri Curl June. We’ve done this song and dance a few times before, so I’ll keep it brief this time; suffice to say, if you need a primer on what Jheri Curl Music is, you can check out our somewhat crudely-produced Imaginary Genres video from last year:

    We’ll be back later today to officially kick off the festivities…remember to check back every weekday in June for more of the wettest, silkiest ’80s R&B!

  • Dystopian Book Club Podcast: Paul Stanley’s Face the Music

    Dystopian Book Club Podcast: Paul Stanley’s Face the Music

    Podcast (headbangersbookclub): Play in new window | Download

    The last installment of our Dystopian Book Club miniseries on the memoirs of KISS is finally here, and we’re going out in a big way. Paul Stanley’s Face the Music: A Life Exposed isn’t the best KISS biography we’ve read (or the second best…or even the third), but it’s certainly fertile ground for discussion. Join us for almost two hours on the man, the myth, and the chest hair; and remember, while Dystopian Book Club is done with KISS (for now), WE! ARE JUST! GETTING! STAAAAAAAAHHHTEEED! We’ll be back in June with a special Jheri Curl June episode on the memoir(s) of Rick James. Show notes, as always, are below.

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