Dystopian Dance Party

Tag: denise matthews

  • Jheri Curl June: Cameo’s “Flirt”

    It’s a testament to the depth and breadth of Jheri Curl Music that in five Jheri Curl Junes, only two bands have been featured repeatedly: Slave (with 2015’s “Watching You” and 2017’s “Turn You Out”) and the Gap Band (who kicked off 2015 with “You Dropped a Bomb on Me,” followed by last year’s “Disrespect”). This year, for our sixth Jheri Curl June, we’re bequeathing that honor on a third group: Cameo, whose 1986 jam “Candy” was part of the very first JCJ way back in 2014.

    My pick for this year comes from earlier in the group’s career, but is even more of an essential Jheri Curl cut. “Flirt,” from Cameo’s 1982 album Alligator Woman, has it all: futuristic synths, a funky groove that splits the difference between P-Funk and the Minneapolis Sound, and a music video (above) that is roughly equal parts synchronized dance moves and leering closeups of models’ butts and cleavage. And speaking of leering, you’ll probably recognize the young lady from the Alligator Woman album cover: that’s none other than Denise Matthews, a.k.a. Vanity, star of the 1985 Jheri Curl Cinema classic The Last Dragon.

    We’re halfway through our first week of Jheri Curl June VIbe and just getting started! Click through for YouTube and Spotify playlists, and see you tomorrow.

    (more…)

  • Podcast: Dystöpian Böök Clüb vs. Mötley Crüe’s The Dirt

    After almost three years of ripping on trashy rock biographies with Dystopian Book Club, it was only a matter of time for us to get around to the trashiest of them all: Neil Strauss’ and Mötley Crüe’s masterpiece of filth-wallowing, The Dirt. The two-hour conversation we had doesn’t even begin to cover everything in the book, but we think it will give you a good idea of what to expect from the movie adaptation that just premiered on Netflix. Thanks to our YouTube subscribers Bruce Gaskins and Tony Bernardo for recommending we cover this book–I think it’s obvious that it gave us a lot of joy.

    (more…)

    Podcast: Play in new window | Download

  • The Prince Issue Podcast with Guest Erika Peterson

    As you may have heard, we recently launched a physical magazine, the first issue of which is dedicated to eclectic art and writing inspired by the music of Prince. So, to celebrate a successful launch–and to get us back in podcasting mode after an unplanned six-month leave of absence–we invited Erika Peterson, a friend and contributor to the magazine, to talk about her work and the most funny/surreal moments of Celebration 2018 at Paisley Park. We also talk about Dystopian Dance Party’s ongoing beef with Questlove, and do our best to try and beat him at his own game of guessing Prince songs from their opening seconds. It doesn’t go well.

    (more…)

    Podcast: Play in new window | Download

  • Podcast: Brought to You by AnuSol

    Look, people, when we said we were going to talk about whatever we want on the podcast from here on out, we meant what the fuck we said. So this episode, along with the usual discussion about art, old music, and video games, we also swap stories about our past and present butt problems. If you can make it through that, though, we go on to discuss the growing trend of famous sexual predators being aired out, the Halloween-friendly films of Nicolas Cage, and…oh, shit, we also go into way too much detail about that old urban legend with Rod Stewart sucking off a bunch of sailors. Look, this is obviously a ploy for attention, so just give us what we want and listen, okay?

    Podcast: Play in new window | Download

  • Jheri Curl June: The Girls’ “Girl Talk”

    We’ve talked a fair amount on this blog about the, ahem, interesting similarities between Rick James’ Mary Jane Girls and Prince’s Vanity 6: a concept James always maintained he came up with first, only for the Paisley Bandit to swoop in and summarily bite it. But if other stories are to be believed, Prince was actually biting from someone much closer to home: his first bass player and one-time surrogate brother, André Cymone.

    The rocky relationship between Prince and Cymone is another thing we’ve discussed in Jheri Curl Junes past, and it should be noted that Prince had a history of “borrowing” from his friend and collaborator: “Do Me, Baby,” among other early songs, was by all accounts an André Cymone joint. So it wasn’t exactly a shock to hear that Prince got the idea for a girl group after catching wind of Cymone’s own side project, creatively named “the Girls.” At some point, according to the excellent (and sadly out of print) biography Dance Music Sex Romance,  André and Prince even combined their ideas for the group, then known as “the Hookers”; André, however, walked away after realizing that Prince wanted him to do the work without taking any of the credit. And the rest was history: the Hookers became Vanity 6, who became Apollonia 6, and Cymone’s “Girls” released their debut album in 1984, to commercial and critical indifference.

    (more…)

  • Dystopian Listening Party Podcast, Jheri Curl June Edition: Jamie Starr’s a Thief

    Well, folks, it’s our first-ever Jheri Curl June podcast–and before you ask, yes, we’re talking about Prince again. This time, though, we’re shedding light on a somewhat less-discussed side of his career: the series of (very) thinly-veiled side projects and ghost productions he released in the early-to-mid-1980s under various pseudonyms, most famously “Jamie Starr.” If you’re even an intermediate-level Prince fan, some of these records are essential listening; so settle in, turn up your headphones, and get ready to take a bite of our purple rock.

    But first, a word of warning, as I’m afraid there’s a factual error in this one: I was speaking from memory in the section about Sheila E, and incorrectly stated that “Noon Rendezvous” began life as a Revolution outtake. It was actually co-written by Prince and Sheila for the Glamorous Life album; the Revolution just happened to cover it in concert. Oops! Anyway, I left that bit in because I still like the song, so just enjoy the music and try to ignore the fact that I’m blatantly lying to you. Finally, if you like this kind of content (with less inaccuracies), check out my new side hustle: dance / music / sex / romance, a chronological exploration of every (known) song in the Prince oeuvre, which I expect to be updating a couple times a week until it actually kills me.

    (more…)

    Podcast: Play in new window | Download

  • Dystopian Listening Party Podcast: Memorial Day, 2015-2016

    With every passing week, 2016 feels more and more like a never-ending, real-life Grammy Awards tribute montage. We couldn’t even go the six days between recording and posting the podcast without losing another pop music icon: this time, Marshall Jones of the Ohio Players, word of whose death regrettably reached us only after we had finished editing. Clearly, this is a trying time to be a music fan. And, as I’ve found myself saying more than a few times in the past several months, the sheer volume of notable musicians’ deaths starts to feel overwhelming to a small site like ours. I’m not a full-time obituary writer, so even many worthy artists who passed away have inevitably gone unmemorialized.

    That’s why, in the spirit of the real Memorial Day holiday, we’re taking the time to commemorate those the music world has lost since last May. Unfortunately, this will almost certainly be a recurring feature: the cruel realities of the human lifespan, combined with the generational ebb and flow of American popular music, means that things are only going to get worse in the coming years. And sadly, even this tribute isn’t truly exhaustive–even aside from the aforementioned omission of Marshall Jones, we’re only really talking about musicians of whom we have some miniscule level of knowledge, so plenty of important people are still going unmourned (at least by us).  But we did our best, and we at least tried to do everyone justice. Here’s hoping we get a break, at least for a couple more weeks.

    (more…)

    Podcast: Play in new window | Download

  • Dystopian Halloween Party Podcast: Rock ‘n’ Roll Nightmare

    Dystopian Halloween Party Podcast: Rock ‘n’ Roll Nightmare

    Well, here it is: coming in two days after Halloween, but better late than never, we have our first-ever podcast. This is something we’ve been talking about doing for a while, and overall it was pretty fun–even if we’re both so unprofessional that it required hours of post-editing to make us listenable. And yes, this being our first attempt, the whole thing is a little rough around the edges, sound quality-wise; but that’s all part of the charm of podcasting, right? …Right?

    Anyway, to launch this new monthly feature, we could think of no better topic of discussion than the 1987 direct-to-video Canadian horror film Rock ‘n’ Roll Nightmare. Directed by the late John Fasano (Zombie Nightmare, Black Roses, The Jitters) and written by/starring bodybuilder-turned-cult-metal-frontman Jon Mikl Thor, Rock ‘n’ Roll Nightmare (also known as The Edge of Hell) was made on a shoestring budget and is still remembered today–if at all–for its cheeseball effects and good-natured Canadian butt-rock soundtrack. Needless to say, it’s a favorite of ours, and we take our time discussing everything from the infamous van scene to the absolutely bonkers climax. I hope you enjoy it. Listen below, and check after the jump for a chronological list of the music played and the scenes discussed.

    (more…)

    Podcast: Play in new window | Download

  • Jheri Curl Cinema: The Last Dragon (1985)

    This year’s Jheri Curl June Ladies’ Week closes on a bittersweet note, because we’re talking about Vanity: a tragic chapter in the jheri curl chronicle. Born Denise Katrina Matthews in Niagra Falls, Ontario, Vanity is best known as one of the cogs in Prince‘s early-’80s machine–indeed, she was arguably the most critically reviled of his many protégées (at least until Carmen Electra came along). After her association with Prince ended during pre-production for Purple Rain, her place in the musical narrative only declined: there was a floundering solo career, a debilitating addiction to freebase cocaine, a kidney transplant due to the ravages of substance abuse, and finally a conversion to evangelical Christianity that led her to renounce everything associated with her former life.

    It’s obviously not within my power to rehabilitate Vanity’s place in the popular music canon–nor, necessarily, is it fully worth rehabilitating (I mean, have you listened to “Pretty Mess“?) But I do think she’s gotten a raw deal. The one album released under the name Vanity 6 is–like its “sister album,” the Time‘s What Time is It?–one of the great forgotten Prince records of the early ’80s; and, while the Purple One per usual ghost-wrote and -recorded the bulk of the music, it was Vanity’s sassy sex appeal that really sold it (don’t even try and tell me you wouldn’t have gotten down with Vanity circa “Nasty Girl“). And then, of course, there’s The Last Dragon.

    (more…)

  • Jheri Curl Cinema: Purple Rain (1984)

    Jheri Curl June is, of course, first and foremost about the music. But, as I wrote in this year’s introductory post, jheri curl is also a profoundly visual form; it is, after all, the only genre of music to my knowledge named after a hairstyle. And so it only makes sense that we should also take some of the imagery associated with the music into consideration. That’s why this year, I’m happy to announce an entirely new feature dedicated to Jheri Curl Cinema. And there’s no other film more qualified to launch such a feature than Prince’s and Albert Magnoli’s 1984 cult classic Purple Rain.

    There are a few reasons why Purple Rain is so perfect for our inaugural Jheri Curl Cinema post. First, yesterday was of course Prince‘s 57th birthday–and while His Royal Badness presumably hasn’t celebrated his birthday since he became a Jehovah’s Witness in 2001, that just means we have to celebrate it twice as hard. But second, and more to the point, Purple Rain is an important film because it captures the essence of the Minneapolis scene in the early 1980s–and thus, by extension, the essence of jheri curl music itself.

    (more…)