Dystopian Dance Party

Tag: system

  • Jheri Curl June: Evan Rogers’ “Don’t Jump to Conclusions”

    Jheri Curl June: Evan Rogers’ “Don’t Jump to Conclusions”

    If we’ve learned anything from our writeup on L.A. Reid back in 2016, it’s that if there is a successful songwriter and producer from the last 30 or so years, they probably had a Jheri Curl album of their own in the mid-’80s. Well, here is Evan Rogers, one half of a hitmaking duo with Carl Sturken who would later produce for everyone from Evelyn “Champagne” King to Christina Aguilera, and even help to build thee Robyn Rihanna Fenty‘s career.

    Sturken and Rogers would eventually form the group Rhythm Syndicate and score a couple of hits in the ’90s, but back in 1985, Rogers released his solo album Love Games, which contains the very System-sounding song “Don’t Jump to Conclusions.” That’s our pick for the day, but the whole album is a bounty of mid-decade Jheri Curl Music: including “Full-Time Lover,” a slow jam duet with the aforementioned Evelyn King, and even a cover of Prince‘s “Private Joy.” Now that we’ve discovered Sturken and Rogers’ place in the Jheri Curl June Extended Universe, I’m sure we’ll be hearing more from them, whether as artists or producers.

    But for now, here’s this month’s playlist. We’ll be back on Monday for more Jheri Curl June!

  • Jheri Curl June: Chaka Khan’s “This is My Night”

    We’re breaking Jheri Curl June protocol in a few ways today: first, because Callie and I were both out of town on a family vacation last Thursday and Friday, we’ve extended Ladies’ Week into the first few days of this week. And second, rather than following up Callie’s 1985 Aretha pick with something later, I’m going a year back in time. My original plan had been to pick something from Destiny, Chaka Khan’s 1986 followup to her smash 1984 album I Feel for You. But, frankly, there isn’t anything on Destiny that slaps anywhere near as hard as I Feel for You’s opening track, “This is My Night”; and our priority for Jheri Curl June has always been to slap first, follow the rules later.

    https://youtu.be/sy6IUDoL8Bg

    But if any sticklers out there have doubts, allow me to enumerate the reasons why “This is My Night” deserves the spotlight today. First and foremost, there’s Exhibit A: the shimmering keyboards and freestyle-inspired drum programming by songwriters David Frank and Mic Murphy of JCJ vets the System. And if that isn’t enough, there’s Exhibit B: the above music video, an homage to 1930s backstage comedies featuring Chaka, in all her bewigged-and-décolletaged glory, acting opposite everyone’s favorite bald ’80s character actor, Wallace Shawn. I rest my case.

    We’re now back on our regular schedule, so we’ll see you again tomorrow for a few more days of Jheri Curl June. Meanwhile, playlists are below!

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  • Jheri Curl June: Scritti Politti’s “Boom! There She Was”

    The last post of Jheri Curl June is always a bittersweet one to write. On the one hand, there’s the satisfaction of knowing we have another solid month’s worth of writing about classic 1980s R&B under our belts; but on the other, there’s the sense of emptiness that comes when we realize we have to wait another whole year before we can start the festivities again. Luckily, Scritti Politti’s ebullient 1988 single “Boom! There She Was” is here to take out some of the sting.

    Scritti Politti’s leader, Green Gartside, is a man after my own heart. Like many British art students in 1977, he was inspired to form a band after catching the Sex Pistols on their legendary “Anarchy” tour; the name “Scritti Politti” was chosen as a play on the political writings (“Scritti Politici”) of Italian Marxist Antonio Gramsci, mixed with Little Richard‘s “Tutti Frutti.” So far, so cool, right? Well, in the early ’80s, Gartside went home to Caerleon, Wales, where he started listening to his sister’s R&B records; then, around the same time, he heard Black radio while visiting Florida. “[T]hat’s where I first heard ‘the funk,’” he later told The Quietus. “The System, Zapp… artists like that. There was a rapid change of influences combined with a disgust at big-I ‘Indie’ being born. It didn’t take long to say, ‘Fuck that, let’s do this instead.’” And by “this,” he of course meant this:

    https://youtu.be/6v-sCVhqG5Y

    I know what some of you are thinking: going from hip, underground post-punk rocker to goofball blue-eyed soul singer ain’t exactly everyone’s idea of an enviable career trajectory. But speaking as a fellow overeducated white boy who rejected the “indie” aesthetic in favor of slickly-produced schlock-R&B, I understand exactly where Gartside was coming from. And besides, “Boom! There She Was” has Roger Troutman on it. Roger! Who doesn’t love Roger?

    So yes, Jh3ri Curl Jun3 is over. But before we know it, boom! There June 2017 will be. I hope to see you again then. In the meantime…you know where to find the playlists.

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  • Jheri Curl Cinema: Coming to America (1988)

    When we decided to expand the focus of Jheri Curl June last year to include cinema, I knew there were two films I absolutely had to write about: Purple Rain and Coming to America. As it turned out, I was only able to work the former into our schedule. This year, however, I’m making amends.

    Coming to America, directed by John Landis in 1988, has done more for the continued relevance of the jheri curl than any other cultural force save, perhaps, for Michael Jackson. Run a Google Image or YouTube search for “jheri curl”–which I have, many more times than I should probably admit, in the course of my duties for this blog–and references to Coming to America will almost certainly be among the first hits. For that matter, just bring up the movie in conversation, and chances are the scenes you remember will be jheri-curl-related: the couch stained with activator grease, Randy Watson and Sexual Chocolate (see above), fuckin’ Soul Glo. Coming to America isn’t just Jheri Curl Cinema: it’s practically cinema about jheri curls.

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  • Jheri Curl June: The System’s “The Pleasure Seekers”

    Most of our choices for Jheri Curl June so far have fallen between 1981 and 1983, and for good reason: those years were arguably the high point of jheri curl’s Golden Age. But as we reach the second half of our month-long celebration, I wanted to also shift our focus to the second half of the decade, and the evolution that took place for jheri curl music in those years. And who better to do that with than the System?

    A partnership between singer/guitarist Michael “Mic” Murphy and session keyboardist David Frank, the System formed in 1982 and, thanks to Frank’s expertise in studio technology, quickly developed into one of the jheri-curl era’s most sonically sophisticated meldings of electronic production and pop-R&B songwriting. In fact, by the time of their third album, 1985’s The Pleasure Seekers, their sound was almost too sophisticated: all of the various synthesizer tones, electronic percussion sounds, and other assorted studio trickery make the title track sound a bit schizophrenic, almost like a more radio-friendly Art of Noise rather than conventional jheri-curl. But if you think I’m calling the System’s JCM credentials into question, you’ve got another think coming: I mean, just get a load of Murphy’s hair in the video, which is surely a contender for the Jheri Curl Hall of Fame if ever I’ve seen one. It’s like Prince‘s Purple Rain-era hair had a baby with Little Richard’s jheri-pompadour, and then left that hair-baby out in the rain for several hours. In short, it’s glorious.

    You know the deal: playlist after the jump, see you again tomorrow!

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