Dystopian Dance Party

Tag: deele

  • Jheri Curl June: Bobby Brown’s “Don’t Be Cruel”

    As we’ve mentioned before, by the late 1980s, the sound of mainstream R&B was developing into what would become known as New Jack Swing. We’ve been writing about this for five years now, so if you don’t get it by now, let me explain it in Pokémon terms: your starter Pokémon is Disco. With love, attention, and experience, that eventually evolves into Jheri Curl Music. New Jack Swing is its final form. The basic elements exist throughout, but the forms morph into a larger, stronger monster.

    Bobby Brown’s “Don’t Be Cruel” was written and produced by Jheri Curl June inductees L.A. Reid and Babyface; and while it knocks harder than their work with the Deele, it still maintains much of the wet, silky flair of Jheri Curl Music.

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  • Jheri Curl June: Imagination’s “Just an Illusion”

    As we mentioned in our Jheri Curl June 2K18 podcast, one of our favorite activities here in the Dystopian Dance Party universe is digging in the crates for Jheri Curl Music; and the British JCM group Imagination is my favorite discovery since the Deele.

    © R&B Records

    I picked up their first album, 1981’s Body Talk, solely because of the album cover, which features the trio posed around a white piano, wearing garters and gladiator sandals, in a room shrouded in dry ice smoke.

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  • Podcast: Jheri Curl June 2K18

    This year marks our fifth annual Jheri Curl June, and we’re going to make it a thing or die trying. Join us as we define the Jheri Curl Music genre and share our picks for the most essential tracks; then, starting Monday, we’ll formally kick off the month-long celebration of wet, silky ’80s R&B. Oh, and listen all the way to the end, because we also announce the winners of our two free copies of Dystopian Dance Party Issue 1!

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  • Jheri Curl June Special: L.A. Reid

    If you’re a regular Jheri Curl June reader, then you should already know that the first week of June holds special signifance in jheri curl music history. As we noted back in our very first Jheri Curl June Special of 2014, Prince’s birthday falls at the end of the week, on June 7. Just a day earlier, there’s also the birthday of megaproducer and Prince’s fellow Minneapolitan, James “Jimmy Jam” Harris III: the subject, with musical life partner Terry Lewis, of our 2015 JCJ Special. And if all that wasn’t enough, on the very same date as Prince, another Midwestern Jheri Curl architect was born in 1956: Cincinnati, Ohio’s own Antonio “L.A.” Reid.

    With all due respect to Mr. Reid–who, in my defense, has so much money that I sincerely doubt he cares–there’s a reason why we waited three years to enshrine him in the Jheri Curl June Hall of Fame. If, as I suggested last year, Prince was Jheri Curl’s principal architect and Jam and Lewis its most successful engineers, then Reid and his longtime colleague Kenneth “Babyface” Edmonds were more like JCM’s property developers, building on the blueprints of the Minneapolis Sound to considerable success without ever really innovating on the formula. When we think about L.A. and Babyface, we think about…well, LaFace, a label synonymous with early ’90s R&B. Their achievements in the previous decade were decidedly more modest.

    But that doesn’t mean they weren’t, in their own way, important. Dystopian Dance Party has love for Reid’s and Edmonds’ early band the Deele, and last year we highlighted one of the pair’s late-era jheri curl productions, “Rock Steady” by the Whispers. There’s plenty of room in pop music for songs that refine and iterate on existing formulas, rather than reinventing the wheel; this is especially true in jheri curl music, a genre that existed pretty much exclusively as a vehicle for up-and-coming artists to bite from Prince and Michael Jackson. This, then, is our tribute to L.A. Reid: maybe not the most innovative of artists, but a shrewd businessman, a talented musician, and a gifted producer and songwriter who could, let’s not forget, buy and sell all of us in a second.

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  • Jheri Curl June: The Whispers’ “Rock Steady”

    On Tuesday we talked about the Deele, the Ohio-based R&B group that kickstarted the careers of Antonio “L.A.” Reid and Kenneth “Babyface” Edmonds. Today we look at one of the songs the duo produced under their production company, Deelesongz, Inc.: the Whispers’ “Rock Steady.”

    The Whispers were formed in 1963 by twins and black Mario Bros. Wallace “Scotty” Scott and Walter Scott, and had several hits throughout the ’60s and ’70s. But “Rock Steady” was their first hit to make it into the Top 10 on the Hot 100, peaking at number 7. I like to think that the success of Rock Steady can be directly attributed to this amazing video:

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  • Jheri Curl June: The Deele’s “Stimulate”

    In 1989 Antonio “L.A.” Reid and Kenneth “Babyface” Edmonds founded LaFace records, the record company responsible for Usher, OutKast, TLC, Pink, and Toni Braxton, among others.

    Back in 1985, though, they were sporting bright pink satin dress shirts and impressive jheri curls with the rest of the boys in the Deele, yet another funk and R&B outfit from Ohio.

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