Category: jheri curl june

  • Jheri Curl June: The System’s “The Pleasure Seekers”

    Most of our choices for Jheri Curl June so far have fallen between 1981 and 1983, and for good reason: those years were arguably the high point of jheri curl’s Golden Age. But as we reach the second half of our month-long celebration, I wanted to also shift our focus to the second half of…

  • Jheri Curl June: Klymaxx’s “Meeting in the Ladies Room”

    What would Ladies’ Week be without a tribute to Klymaxx: one of the few all-female, self-formed groups in pop music history? Meeting in the Ladies Room, Klymaxx’s fourth studio album, was co-produced by Jimmy Jam and Terry Lewis and went platinum with four successful singles, one of which was the title track. The song–written by another trio…

  • Jheri Curl June: Mary Jane Girls’ “All Night Long”

    The Mary Jane Girls were essentially Rick James’ answer to Vanity 6: the girl group Prince constructed as the prostitute foil to The Time‘s pimp image. In this case, though, Rick James might have actually one-upped his longtime rival; for their 1983 American Bandstand performance of “All Night Long,” the girls look like they were literally picked up off…

  • Jheri Curl June: Mtume’s “Juicy Fruit”

    Ladies’ Week continues with “Juicy Fruit,” another jheri-ballad from 1982 by Mtume. The band is named for its founder and lead songwriter, former Miles Davis percussionist James “Mtume” Forman; but the voice you hear front and center in “Juicy Fruit,” as well as the band’s other hits, is female co-vocalist Tawatha Agee. And it’s the…

  • Jheri Curl June: Evelyn “Champagne” King’s “Love Come Down”

    It’s Day Two of our informal Ladies’ Week for Jheri Curl June, which means it’s time to break out the Champagne. “Love Come Down” is the first single from Evelyn “Champagne” King’s 1982 album Get Loose, and it’s as frothy and ebullient as her liquid namesake, with one of those irresistible computerized synth-basslines early-’80s jheri curl…

  • Jheri Curl June: The S.O.S. Band’s “Tell Me If You Still Care”

    Friday was the 55th birthday of James Samuel “Jimmy Jam” Harris III: former keyboardist for The Time and, with partner Terry Lewis, one of the main architects of the “Minneapolis Sound”–or, as we call it in these parts, good old-fashioned jheri curl. As usual, though, Mr. Jam was overshadowed by his almost-birthmate and former boss Prince,…

  • Jheri Curl June Special: Prince

    I think we’ve already established that we are huge fans of Prince here at the ol’ DDP, so we have to do something to celebrate his 56th birthday tomorrow, June 7–especially when that birthday falls right at the end of the first week of Jheri Curl June. And besides, if we’re really going to celebrate…

  • Jheri Curl June: Dazz Band’s “Joystick”

    In my introduction to Jheri Curl June, I noted that jheri curl music is an inherently hybrid, polyglot genre, blending funk and soul with rock, disco, and pop. Another prominent influence–one that spawned its own subset of JCM, better  known to the less folically-obsessed as electro-funk–is the robotic, heavily synthesized form of dance music known…

  • Jheri Curl June: Midnight Star’s “No Parking on the Dance Floor”

    Today’s Jheri Curl June entry is the title track from Midnight Star’s 1983 album No Parking on the Dance Floor. It has all the necessary ingredients of a classic jheri-curl track: a squealing synth line, bass that pops like crazy, and a camp-as-hell introduction that threatens, “if you don’t get a move on that body,…

  • Jheri Curl June: Jesse Johnson’s “Be Your Man”

    Jesse Johnson’s birthday was Sunday, so this is a little bit of a belated birthday tribute. “Be Your Man,” from Jesse Johnson’s 1985 debut solo album Jesse Johnson’s Revue, is quintessential Minneapolis jheri curl funk: the pounding drum machine beat, heavy bassline, glossy synth “horns” (which he calls out in a James Brown-esque band leader style),…