It might have taken us 14 months, but the long nightmare that was 12 Months of Mike is finally behind us–and, thanks to the final film in question (2010’s Shrek Forever After) it’s gone out with a whimper. Come hear why it took us two months to work up the enthusiasm for one last shrekquel… and, join us again in the new year for the long-awaited return of Dystopian Book Club with Stephen Davis’ Hammer of the Gods and Richard Cole’s Stairway to Heaven: Led Zeppelin Uncensored!
The end of our year-long immersion in the filmography of Mike Myers is in sight; but hoo boy, is this final stretch a test of endurance. Our penultimate film is 2008’s The Love Guru: the movie that finally put Mike’s career out of its misery after The Cat in the Hat roughed it up and left it for dead. Join us as we discuss the unfathomable depths to which Ben Kingsley sinks in his performance, and repeatedly refer to Romany Malco as “Romany Falco.” But really, who cares? Nothing matters! God is dead, long live Pitka!
Well, folks, it took us nine months, but our year-long immersion into the filmography of Mike Myers has finally broken us, as evidenced by the uncontrollable fit of laughter Callie breaks into over the thought of Shrek and Fiona driving around in a giant onion. Listen as the last vestiges of our sanity finally slip away–and then come back in the first week of July when we do it all over again with Shrek the Third!
The wait is ogre! We’ve reached the halfway point of our 12-month series on the films of Mike Myers, and (sigh) the quarter-way point of the four goddamn Shrek movies we decided to include for some reason. Still, we had fun discussing what makes Shrek a Mike Myers character (spoiler alert: it’s mostly the Scottish accent) and the slow transformation of Shrek from lauded Palme d’Or competitor to Gen Z meme fodder. Remember to tell us which Mike movie represents your birth month, and we’ll see you again next for (deeper sigh) Austin Powers in Goldmember.
Well, we’re only two months into our year-long foray into the cinematic oeuvre of Mike Myers, and we’re already starting to regret it. 1993’s So I Married an Axe Murderer is, we take no pleasure in reporting, a thoroughly mediocre film that also has the nerve to subject us to way too many shots of Myers’ unclothed lower body. Let us know what you think in the blog comments or on social media, and join us next month for a much better Mike Myers movie from 1993, Wayne’s World 2.
After another nearly year-long hiatus, the Dystopian Dance Party podcast has returned with something literally no one asked for: a year-long deep dive into the cinematic ouevre of Saturday Night Live alum/man of a thousand catchphrases/notorious Hollywood diva Mike Myers. In this first episode, we delve into Mike’s pre-feature film career and (sort of) explain why we’ve been possessed to do this. Come for the cracks about Cat in the Hat, stay for the clips of ’70s and ’80s Canadian TV shows!
