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It’s a special #jhericurljune installment of the ol’ Book Club as we dig into 2019’s On Time: A Princely Life in Funk by Morris Day with David Ritz–so, slightly less headbanging than normal, but don’t worry, there’s plenty of the important stuff (i.e., cocaine). We’ll be back in a couple of weeks with Part 2, at which point we’ll also announce our official HBC selection for July. Remember, don’t let us Meat Loaf!
(more…)It’s a poetic fluke of the cosmos that so many Jheri Curl Music innovators’ birthdays fall in June, the genre’s holiest month. So far, we’ve highlighted Prince (June 7), Jimmy Jam (June 6), L.A. Reid (also June 7), and Jesse Johnson (June 1)–as well as Michael Jackson, who passed away on June 25, 2009. Now, on the occasion of his 60th birthday, it’s finally time to induct André Cymone into the JCM Hall of Fame.
As Prince’s earliest musical collaborator, André Cymone played an integral, but regrettably overshadowed part in the creation of the Jheri Curl Music strain more popularly known as the Minneapolis Sound. On our Prince associates podcast from a couple of years ago, I described Cymone as the twin Prince (figuratively, of course) consumed in utero. So many of the more famous artist’s stylistic choices in the first three years of his career–from his embrace of New Wave sounds and fashions to the whole song “Do Me, Baby”–can be more accurately interpreted as a collaborative effort between himself and his one-time surrogate brother. By the time André, understandably fed up with the lack of credit for his work, went solo in early 1981, the persona known as “Prince” had been more or less fully formed; this inevitably did his longtime partner a disservice by making his solo career look like an imitation.
But today we celebrate André Cymone not as an imitator, but as the innovator he was. While he may not have scaled the critical or commercial heights of his musical other half, his efforts–both behind the scenes and in the spotlight–left an indelible mark on Jheri Curl Music, and on the last 30 years of pop and R&B in general.
(more…)It didn’t take a stroke of genius to come up with the idea for this year’s Jheri Curl June podcast. Rick James may be the most important architect of the genre we call Jheri Curl Music who we hadn’t already commemorated with a long-term feature. He also has a hell of a story: one he told in not one, but two posthumous memoirs–2007’s Confessions of Rick James: Memoirs of a Superfreak and 2014’s Glow–which makes him a perfect candidate for the Dystopian Book Club. A “habitual line-stepper” in both life and art, James was vital in bridging the gap between 1970s P-Funk and 1980s Jheri Curl; his later decline into drug addiction and imprisonment was unfortunate, but could only somewhat dampen his boundless talent and charisma. So join us on this most sacred of occasions as we celebrate Mr. Cold Blooded himself: a man whose artistic potential was the only thing bigger than his larger-than-life personality and appetites. Gimme some ganja!
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Well, folks, it’s our first-ever Jheri Curl June podcast–and before you ask, yes, we’re talking about Prince again. This time, though, we’re shedding light on a somewhat less-discussed side of his career: the series of (very) thinly-veiled side projects and ghost productions he released in the early-to-mid-1980s under various pseudonyms, most famously “Jamie Starr.” If you’re even an intermediate-level Prince fan, some of these records are essential listening; so settle in, turn up your headphones, and get ready to take a bite of our purple rock.
But first, a word of warning, as I’m afraid there’s a factual error in this one: I was speaking from memory in the section about Sheila E, and incorrectly stated that “Noon Rendezvous” began life as a Revolution outtake. It was actually co-written by Prince and Sheila for the Glamorous Life album; the Revolution just happened to cover it in concert. Oops! Anyway, I left that bit in because I still like the song, so just enjoy the music and try to ignore the fact that I’m blatantly lying to you. Finally, if you like this kind of content (with less inaccuracies), check out my new side hustle: dance / music / sex / romance, a chronological exploration of every (known) song in the Prince oeuvre, which I expect to be updating a couple times a week until it actually kills me.
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