Zach and Callie reconvene in (by our standards) record time for another Dystopian Book Club Official Selection: Brothas Be, Yo Like George, Ain’t That Funkin’ Kinda Hard on You? by Parliament–Funkadelic maestro George Clinton. Enjoy as we discuss our love of P-Funk and the book’s disappointing lack of hot deets on the Super Mario Bros. movie.
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For the past three years, we’ve commenced our Jheri Curl June festivities with profiles of major figures in the style we call Jheri Curl Music, timed to line up with their birthdays in the beginning of June. In 2014, it was Prince (born June 7); in 2015, it was Jimmy Jam and Terry Lewis (the former born June 6); last year, it was L.A. Reid (June 7 again). But until now, we’ve never managed to make time for another architect whose birthday falls as close to the beginning of June as possible: June 1, 1960. I’m talking, of course, about Jesse Johnson.
Jesse, in our defense, hasn’t exactly been a stranger to Jheri Curl June. His “Be Your Man” was our second-ever JCJ post back in 2014, and we’ve also considered his work both as a member of the Time and as the producer of late-’80s Minneapolis funk-rockers dáKRASH. But we’ve never taken a deep dive into his music–and that’s a damn shame, because whatever Johnson might have lacked in the innovation of his former associates Prince, Jam, and Lewis, he more than made up for with some of the strongest pure Jheri Curl Music of the mid-to-late 1980s. In other words, there’s no better person with whom to launch our fourth annual celebration of all things wet and silky in ’80s R&B music. So let’s get to it!
With every passing week, 2016 feels more and more like a never-ending, real-life Grammy Awards tribute montage. We couldn’t even go the six days between recording and posting the podcast without losing another pop music icon: this time, Marshall Jones of the Ohio Players, word of whose death regrettably reached us only after we had finished editing. Clearly, this is a trying time to be a music fan. And, as I’ve found myself saying more than a few times in the past several months, the sheer volume of notable musicians’ deaths starts to feel overwhelming to a small site like ours. I’m not a full-time obituary writer, so even many worthy artists who passed away have inevitably gone unmemorialized.
That’s why, in the spirit of the real Memorial Day holiday, we’re taking the time to commemorate those the music world has lost since last May. Unfortunately, this will almost certainly be a recurring feature: the cruel realities of the human lifespan, combined with the generational ebb and flow of American popular music, means that things are only going to get worse in the coming years. And sadly, even this tribute isn’t truly exhaustive–even aside from the aforementioned omission of Marshall Jones, we’re only really talking about musicians of whom we have some miniscule level of knowledge, so plenty of important people are still going unmourned (at least by us). But we did our best, and we at least tried to do everyone justice. Here’s hoping we get a break, at least for a couple more weeks.
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