Zach and Callie reconvene in (by our standards) record time for another Dystopian Book Club Official Selection: Brothas Be, Yo Like George, Ain’t That Funkin’ Kinda Hard on You? by Parliament–Funkadelic maestro George Clinton. Enjoy as we discuss our love of P-Funk and the book’s disappointing lack of hot deets on the Super Mario Bros. movie.
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Back in May when we did our Memorial Day podcast, I was sorely unaware of Junie Morrison’s music. Sure, I had heard the Ohio Players’ albums from the early ’70s, of which Junie played a seminal part; I had heard Funkadelic’s late ’70s music, particularly “(Not Just) Knee Deep” (I mean obviously, I’ve watched Good Burger enough times). But, while I was technically familiar with Junie’s contributions, up until about a month ago I couldn’t have told you who he was. Even after I heard Kanye’s “No More Parties in L.A.” Even after I heard Solange’s “Junie.” Even after I heard that he’d died earlier this year.
I like to think that I’ve made up for some lost time in the past month, however, because I’ve been unapologetically obsessed, and will spread the gospel of Walter “Junie” Morrison as much as possible. The man easily deserves as many accolades as Prince, and in many ways is very similar: Junie was a multi-instrumentalist who played every instrument on his solo albums; he joined the Ohio Players at only 16 years of age and was largely responsible for writing and arranging many of their earlier records. Matter of fact, after becoming familiar with Junie’s solo stuff from The Westbound Years, I can’t imagine Prince’s first two albums–much less his entire career–without Junie Morrison’s music.
Hell, Jheri Curl June as we know it would not exist without Junie. Give another listen to “(Not Just) Knee Deep,” with its triumphant synth line (one of Junie’s signature sounds), and tell me that is not a rudimentary form of Jheri Curl Music. Furthermore, Junie, along with yesterday’s JCJ inductee Stevie Wonder, predated Roger Troutman’s usage of the keyboard talkbox by several years. So, there you have it, folks: Junie Morrison is the unsung architect of our sacred Jheri Curl Music. Until now, that is.
Well, here we are: for the second consecutive year, we’re turning Memorial Day weekend into a time of remembrance for the many great artists we lost since last May. But because this is still Dystopian Dance Party, and we’re constitutionally incapable of being reverent for more than a few minutes at a time, please be aware that the resulting podcast is about 70% wake, 30% roast (well, maybe 60/40). Just believe us when we tell you it’s all coming from a place of love. Hopefully, while everyone good continues to die and leave us trapped on this smoldering husk of a planet, we can at least entertain you (and ourselves) with our impressions of “The Force M.D.’s Meet the Fat Boys”… R.I.P. to Trisco Pearson. Show notes below.
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With every passing week, 2016 feels more and more like a never-ending, real-life Grammy Awards tribute montage. We couldn’t even go the six days between recording and posting the podcast without losing another pop music icon: this time, Marshall Jones of the Ohio Players, word of whose death regrettably reached us only after we had finished editing. Clearly, this is a trying time to be a music fan. And, as I’ve found myself saying more than a few times in the past several months, the sheer volume of notable musicians’ deaths starts to feel overwhelming to a small site like ours. I’m not a full-time obituary writer, so even many worthy artists who passed away have inevitably gone unmemorialized.
That’s why, in the spirit of the real Memorial Day holiday, we’re taking the time to commemorate those the music world has lost since last May. Unfortunately, this will almost certainly be a recurring feature: the cruel realities of the human lifespan, combined with the generational ebb and flow of American popular music, means that things are only going to get worse in the coming years. And sadly, even this tribute isn’t truly exhaustive–even aside from the aforementioned omission of Marshall Jones, we’re only really talking about musicians of whom we have some miniscule level of knowledge, so plenty of important people are still going unmourned (at least by us). But we did our best, and we at least tried to do everyone justice. Here’s hoping we get a break, at least for a couple more weeks.
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